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Your Story is More Interesting than You
Posted on September 10th, 2009 Comments
Photo Credit: A Journey Round My Skull
Echoing A Rebel Without a Cause, I titled my high school journal A Hero Without a Plot. Dreaming of the glamorous lifestyle of a writer, I figured all I need do was live an interesting enough life, and my memoirs would practically write themselves and fly off bookstore shelves.
At fourteen, success was about being me – or rather an idealized version of me. All I had to do, I reasoned, was realize that vision of myself, and John Q. Public would climb over his grandmother just to hear me lay down the Wisdom.
My mistake was assuming I was more interesting than my story.
Narrative always trumps character, even for sensations like Susan Boyle and Captain “Sully” Sullenberger. We remember the act long after the actor.
Ever hear of Aron Ralston? No?
Well, how about the hiker who spent five days with his arm trapped under a boulder before severing it with a knife, rappelling down a 65-foot cliff and hiking eight miles back to civilization? That ring a bell?
See what I mean? Chances are the words “stained blue dress” resonate more strongly with you than the name Kenneth Starr.
Remove our narrative, and we become invisible. Stories are what distinguish us.
The same applies to products and services. Like most characters, your product is just another face in the crowd. It remains indistinguishable without a story, and that story is the unique or superior value you provide.
Marketing and public relations approach narrative overtly, by telling a story in press releases, case studies, trade articles and web copy. That doesn’t mean they represent an automatic slam dunk. If anything, these long-form formats demand more compelling use of narrative to grab and hold readers.
Advertising and branding approach narrative more obliquely, allowing the unique value to take shape in a customer’s imagination. Advertising for Coca Cola, Apple or Carnival Cruise Lines, for example, invoke what the customer might experience, rather than the specific features their products deliver.
You may have spectacular products or services. But you have human customers, and they’re hard-wired for narrative.
I plan on exploring this topic in more detail. So, feel free to share how narrative has helped you or your clients craft more effective messages.
Echoing “A Rebel Without a Cause,” I titled my high school journal “A Hero Without a Plot.”Dreaming of an exotic writer’s lifestyle, I figured all I need do was live an interesting
enough life, and my memoirs would practically write themselves and fly off bookstore shelves.
At fourteen, success was about being me – or rather an idealized version of me. All I had to
do was realize that vision of myself, and John Q. Public would climb over his grandmother just
to hear me lay down the Wisdom.
My mistake was assuming I was more interesting than my story.
Narrative always trumps character, even for sensations like Susan Boyle and Captain “Sully”
Sullenberger. We remember the act long after the actor.
Ever hear of Aron Ralston(http://en.wikipedia.org/wiki/Aron_Ralston)? No? He was the hiker who
spent five days with his arm trapped under a boulder before severing it with a knife,
rappelling down a 65-foot cliff and hiking eight miles back to civilization.
See what I mean? Chances are the words “stained blue dress” resonate more strongly with you
than the name Kenneth Starr.
Remove our narrative, and we become invisible. Stories are what distinguish us.
The same applies to products and services. Like most characters, your product is just another
face in the crowd. It remains indistinguishable without a story, and that story is the unique
or superior value you provide.
Marketing and public relations approach narrative overtly, by telling a story in press
releases, case studies, trade articles and web copy. That doesn’t mean they represent an
automatic slam dunk. If anything, these long-form formats lean harder on narrative to grab and
hold readers.
Advertising and branding approach narrative more obliquely, allowing the unique value to take
shape in customer’s imaginations. Advertising for Coca Cola, Apple or Carnival Cruise Lines,
for example, invoke what the customer might experience, rather than the specific features
their products deliver.
You may have spectacular products or services. But you have human customers, and they’re
hard-wired for narrative.
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Jason
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prostylus
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Jason
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